This blog is the continuing dialog between two faces of rilla (most of the time!) Rant and rave with us. Leave a comment. Click on the 'nickname' button if you don't have a Google ID already.
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My Pic Of The Day

My Pic Of The Day
San Francisco Cable Car

Thursday, September 3, 2009

43 -- Confusion, Collusion, and Copyright

"The Google Book Search Settlement is a sweeping agreement that shifts the ground on copyright, and has far-reaching implications for the future of books. Whether to opt in or out is a complex, difficult decision. Authors should strive to inform themselves as fully as possible (a tour of the links below should help with that), and should not allow themselves to be swayed by the small amount of money they may receive from Google if they remain in the Settlement." Writer Beware Blogs

Today is the last day before the last day to choose whether to opt in or opt out of the infamous Google Settlement for authors. Thanks to many great posts and sites, I have finally been able to put together a bit of a picture of what might be at stake.

A Very Brief History
A while ago, Google thought it might be a great idea to digitize and bring to the public books that have been out of print, are in the public domain, or whose copyright owners cannot be found. Many people, such as librarians, also thought this was a great idea and opened their doors to the project. Gradually, people discovered that Google's digitizing project included books in print with valid copyright owners many, very contemporary, such as Kathleen Duey's Skin Hunger.

People complained. Google insisted what they were doing was legal and could be classified under "fair rights." Authors and publishers disagreed. A lawsuit followed. After two years of expensive wrangling, an agreement to settle out of court was drawn up.

The ramifications of the settlement are so widespread and questionable, the court was asked to rule on its legality and validity. In October, the courts will rule on whether the settlement can stand. But, the deadine for those affected by the settlement to opt out of it is Sept. 4, 2009.

The Part Where You and I (Authors and other copyright holders) come in:
The settlement affects you whether you like it or not. The following are your options:

Do Nothing: You have opted into the settlement by default. (I just can't grasp that this can possibly be legal.)
Opt In: You are officially part of the agreement.
Opt In and Object to the Settlement: You are ruled by the terms of the settlement but you can file an objection to the settlement that the court must consider when it debates the legality of the settlement in October.
Opt Out: You are not a part of the settlement and are not affected by its terms. You must do this by the deadline of Sept. 4, 2009.

What is the Settlement Anyway?
If you read the lines:
If you own the copyright to work that has been digitized by Google before Jan. 2009, you can register your works with Google, claim a small flat fee in return for their infringement of your copyright, choose to remove the work from their database, include the work but not publicly display it, publicly display but only determined sections. If you choose to display the work, Google will pay you 63% of the money generated through the display.
What you cannot do: You may never sue Google in the future over copyright infringement either singly or as part of another lawsuit.
If you opt out of the settlement, you keep your right to dispute Google's use of your work.

If you read between the lines:
A very useful document to read is called: Google Book Settlement Fact and Fiction (GBSFF)
The Google Settlement site also has a list of FAQ's that are worth reading. (GSFAQ)
a) If you opt out: (Taken from GSFAQ)
"By checking a box on the opt out page, however, the author or publisher can request that the Settlement Administrator ask Google not to digitize (or, if already digitized, not to display any contents from) the books or Inserts identified in the opt out form, Although Google has no obligation under the Settlement to comply with such request, Google has advised the Settlement Administrator that it is Google’s current policy to voluntarily honor such requests..." (GSFAQ)

Note in the paragraph above it states that authors who opt out of the settlement can ask Google not to digitize their work HOWEVER, GOOGLE HAS NO OBLIGATION UNDER THE SETTLEMENT TO COMPLY WITH SUCH REQUEST. What does this mean? To me it says that Google has no obligation to honor copyright law. Indeed, given this settlement, it seems clear that if you are a large enough corporation you can take the law into your own hands.

Some more disturbing quotes: Taken from (GBSFF)
"FACT: The deal would establish Google as the new superpower in the online book marketplace, leaving those authors who opt-out at a substantial commercial disadvantage.

FACT: The deal would usurp the role of Congress and grant special rules for Google – and only Google – to use orphan works that are very different and much more advantageous to Google than the rules contained in the orphan works bills considered last term in Congress. " (GBSFF)

b) If you opt in to the settlement and:
"if Google does not comply with an author’s instructions, she is limited to bringing arbitration over Google’s “best efforts” and will have forfeited the ability to file a copyright infringement lawsuit. " (GBSFF)

c) The settlement seems to only affect works digitized before early 2009. If this is true, what on earth does the following paragraph signify?

"Can I request that my books be removed and still participate in the Settlement? Yes. If you want to participate in the Settlement but also want your Books removed, you must fill out the Claim Form on or before April 5, 2011. Thereafter, Google will honor your request only if a Book has not been digitized as of the date of the request." (GSFAQ)

It seems to mean to me that Google will continue digitizing books into the future. If you don't want Google to make your work public digitally, copyright law is not enough to protect you anymore. You must constantly be updating your Google requests as well, or tough luck. So what does the Jan. 2009 date really mean? And what if you haven't published a book yet and so have not opted out of the settlement. My simplistic interpretation is the following: You will be opted in to this settlement, and it won't be out of choice.

Some Links for Further Reading:

Google Book Settlement Fact and Fiction (GBSFF)

The Google Settlement site FAQ's

The Society for Children's Writers and Illustrators has provided information on the settlement here.

The National Union for Writers has opposed the settlement. You can read the story here.

Large literary agency William Morris has advised their clients to opt out of the settlement. You can read about it here.

The Writer Beware Blogs also has a detailed summary of the settlement.

The Author's Guild has an article on whether or not to opt out here.

Mitali Perkins discusses the settlement and reactions from members of the children's writing and illustrating community at her blog.

To register your books, opt in or opt out, go to the Google Settlement Site.

If you are an author, and/or hold a copyright currently or hope to in the future, I urge you to find out as much as you can about this hugely influential settlement. Should we continue to allow large corporations to take the law into their own hands? What can we do about it?

Love to hear what you think. Thanks for reading. Please note that all quotations have listed sources with links. All words written by me are simply my own opinion from the reading I have done to date. They do not represent the opinion of anyone but myself, and cannot be construed to be terribly informed either. I urge you to read as much as you can, form your own opinion, and make a decision.

Thanks to participants in #kidlitchat on Sept. 1, 2009, for several of these links and discussion. Especially: @mitaliperkins, @williamshultz, @JackFWalker, @EgmontGal. @EKokie, @gregpincus, @inkyelbows, @ktubb, and @JesseMarieKlaus.


Saturday, August 22, 2009

42 -- The Secret Garden Trip

NOTE: This blog is a continuing dialog between the two faces of rilla. The identity crisis is explained (if such a thing is possible) in the first edition. Click here to read: 1 -- Introduction

Rilla: Excuse me....
rilla: Go Away.
Rilla: Hello! Hi! I'm Rilla...your alter...
rilla: I SAID, Go Away!

Rilla: All right. Be that way. I was going to show you...
rilla: Show me what?
Rilla: Never mind. You told me to go away...so I'm going away.

...
...
Rilla: So much for that. She didn't even look up. All day long it's nothing but editing, writing, editing, writing...she's the most boring company on earth.


But I'm not. I left her at home, and went to see the Huntington Library Botanical Gardens in Pasadena CA, FINALLY.

Shhhh...don't tell her. She's been wanting to go, like, FOREVER.

So...here are a few pictures I took. Even if she's too busy to look, you want to see them, right?





Window onto the Chinese Garden

Lions welcome friend and family to the Japanese Zen Garden


Lotus bud in the Chinese Garden


Ah, the serene beauty of a Japanese Garden.


Peace, tranquility = Writing Retreat. Like rilla is listening, sigh.


One of my favorites, Bonsai Magic.


Okay, I lied, THREE of my favorites.



The sign beside this elegant graffiti says "No carving or writing on bamboo." I rather think it's beautiful.


And a lovely time was had by all!


Rilla: Oh no! She's stirring...coming this way...yikes...can't hide anyth...
rilla: You did WHAT? The Hungtington...WITHOUT me?
Rilla: Well, I...TRIED, OK?
rilla: Sigh! Those pictures are beautiful.
Rilla: ...
rilla: Maybe it IS time I stopped to enjoy the flowers...


rilla: ...or the serenity of a lotus pond.


Rilla: Yeah! Maybe you should too.

Wednesday, August 12, 2009

41 -- Conference Come and Gone


Another SCBWI summer conference is over, sigh.



The good news is that as always I came away with so much -- enthusiasm, energy, motivation, excitement and...

QUOTES:

Sherman Alexie-- Kids all of all classes and backgrounds feel the same way--Trapped. They send out the same message--My choices are being made for me.



David Wiesner attempts to put the familiar into a different context.

Kadir Nelson -- A good book is one that speaks, to a personal truth that is also a universal truth, with honesty, telling the story in an exceptional way.

Eve Bunting -- Ask of your books Is this worth saying?

Karen Cushman -- I write because I could not dance. Give power to thoughts. By putting words in the right order you can nudge the world a little.



Krista Marino -- Never mistake voice for dialogue. You must frame the story through the protagonist's experience.



Holly Black -- Fantasy actualizes metaphor What distinguishes fantasy from horror is the sense of awe that accompanies the fear.

Frank Portman -- Who needs happiness, I'd rather have you!"

Dinah Stevenson -- Craft is what makes the writer's ideas both digestible and delicious. The four C's are: Creativity (Leave the city of your comfort and center the wilderness of your intuition--Alan Alda) Craft, Community, and Chocolate :)

Kathleen Duey -- If Captain Underpants can protect a child from listening to her parents fight--it is literature.

FRIENDS!




Stephanie and Me at the Blue Moon Ball


Stephanie Roommate, Stephanie Roth Sisson, Award-winning illustrator extraordinaire and ex-roommate, Fred Sisson, Stephanie's new roommate.



Elizabeth Byrd and Julia Collard


Debbie Ridpath Ohi and Me.



The Unique Lisa Yee and Dan Santat...Oh and Peep in a Taco.




Friday, May 8, 2009

40 -- Grim Dreams of Success

NOTE: This blog is a continuing dialog between the two faces of rilla. The identity crisis is explained (if such a thing is possible) in the first edition. Click here to read: 1 -- Introduction

rilla: Weird. Last night I dreamed we invited Neil Gaiman to dinner.
Rilla: Neil who?
No...really. Who is Neil, and why would we want him over for dinner?
rilla: You don't know who Neil Gaiman is? He wrote The Graveyard Book.
Rilla: So it was a nightmare you were having? What is he, some kind of Grim Reaper?
rilla: No! He's the winner of the Newbery Medal.
Rilla: I see. If you can't win a medal yourself, you dream about those who do?

rilla: Moving on. So. I'm rummaging around in the pantry frantically looking for something to cook for dinner.
Rilla: Bet you didn't find anything in there.
rilla: Well, yeah. I mean, no. That's where the nightmare part comes in.
Rilla: Nightmare? That's not a dream. That's just every day. Go check...right now. Nothing in there but birdseed, until you stop dreaming about awards and sell a book so we can put some real food on the table.
rilla: Could be worse. At least birdseed is balanced and nutritious.
Rilla: That's nuts.
rilla: No, it's seeds. There's a difference.
Rilla: Oh, what's the point. We'll all be part of some graveyard book if you keep this up.
rilla: Actually, there is some good news.

Rilla: Oh? Don't keep me waiting.
rilla: Well, I was asked to write an endorsement for this great book that's coming out in August.
Rilla: Endorsement? I thought you were going to say you were asked to write a book.
rilla: Yes! You Can Learn How To Write Children's Books, Get Them Published, and Build a $uccessful Writing Career by Nancy Sanders.

Rilla: I'm glad somebody knows how to do that.
rilla: Well that's the point! The book teaches everyone how to do it! Everyone who wants to write for a career, that is. It's got hands-on tips to set goals, organize objectives, target publishers, and land contracts before you write the book.
Rilla: Sounds like a dream. I'm all for any ticket out of birdseed for breakfast, lunch, and dinner.
rilla: I feel as if it's given me focus and a plan.
Rilla: Focus? Focus? What the dickens do you focus on all those hours spent in front of the computer?
rilla: OK. I'm focused but I'm not organized. I spend 95% of my time writing and only 5% tyring to sell what I write, or write what will sell.
Rilla: Now she tells me!
rilla: This book talks about organizing each day, week, and month on the basis of career goals you set for the year. Basically, Nancy provides solid, practical advice on how to get published, make an income, and write for fulfilment.
Rilla: I sure hope you focused on the making an income bits.

rilla: You know what you need? A big dose of RELAX.
Rilla: Great. Maybe I should just curl up in a chair and read a book.
rilla: What a wonderful idea.
Rilla: Any suggestions?
rilla: Yes! The Graveyard Book by Neil Gaiman.
Rilla: OK. Just as long as you take the advice from that other book seriously.
rilla: Oh, yes. I've already started implementing some of the suggestions. I've created a new work schedule, starting 6:30 tomorrow!
Rilla: 6:30? I know you like to burn the midnight oil and all, but seriously, 6:30? Isn't that a bit late? Even for you?
rilla: 6:30 AM, as in the MORNING, bird-brain.
Rilla: You want me to wake up at 6:30 AM? And eat birdseed for breakfast? Groan.
rilla: Technically, the early bird gets the worm...not the birdseed.
Rilla: Yuck! Skip the book. Just send me to the Graveyard, now.


Rilla: Shh. Don't tell rilla. I've decided to help her out with this writing career bit. I just designed a new website for her and her alone! Go check it out and tell me what you think of it -- www.rillajaggia.com. But, not a word to her...promise?




Thursday, February 19, 2009

39 -- I Know It Isn't Over

NOTE: This blog is a continuing dialog between the two faces of rilla. The identity crisis is explained (if such a thing is possible) in the first edition. Click here to read: 1 -- Introduction

Don't forget to vote on your favorite book cover seen at the end of this post, when you comment. Thanks!

Rilla: What are you doing?
rilla: Writing a book review.
Rilla: But...you can barely see.
rilla: I know.
Rilla: Not doing too well on the breathing front either.
rilla: Think I can't tell?
Rilla: You sick or something?
rilla: No...I'm trying to write a book review...do you mind?
Rilla: It might be easier if you waited until you've recovered from whatever...

rilla: Not something you recover from in a long while.
Rilla: OK, now you're scaring me. What do you have? What is it you don't recover from in a long while?
rilla: A good book.
Rilla: What?
rilla: A powerfully written book that doesn't tiptoe around emotions but deals with them head on in an honest, real way.
Rilla: What the hell are you on about?
rilla: The book I just finished!
Rilla: OK. OK, I'm slightly relieved your problem is not terminal...but...how about at least telling me WHICH book?
rilla: Oh. Didn't I mention that?
Rilla: Good Grief. There's a transcript here of the dialogue we've just had...take a look at it if you don't believe me...now WHICH BOOK IS IT?
rilla: Oh. I guess you're right. OK. Stop rolling the eyes. I'm still trying to get my breath back.
Rilla: Sound of foot tapping on floor.
rilla: Don't be ridiculous, the floor's carpeted. I can't hear a thing.
Rilla: Sound of fingers drumming on desk.
rilla: OK, OK. Here it is. It's called I Know It's Over and it's by C.K. Kelly Martin.



Rilla: Finally. Some progress. Well.
rilla: Well what?
Rilla: WHAT'S IT ABOUT? I thought this was supposed to be a book review.
rilla: Maybe I should wait until my head stops spinning.

Rilla: That bad, huh?
rilla: Yeah. That bad...no...I mean...good. I think. I mean what do you do when you curl up with a book in your favorite chair to be all cozy and comfortable and then all of a sudden, you're glued to the chair, only the chair isn't there any more, neither is the room, the only thing there is a glass of wine burning its way down as you read about a sixteen year old boy, who...
Rilla: Yeah, who...what? Don't stop, now that we're finally getting somewhere.
rilla: Wait a minute. OK. Yeah, his name's Nick and he lives, I don't know, in some frozen corner of Canada and...
Rilla: and...?
rilla: And right at the beginning of the book, he's broken up with his girlfriend...no...actually...she's broken up with him.
Rilla: And...? What's so special about that?

rilla: Well, it's Christmas Eve and he's off to spend it with his Dad, see his Dad and Mom have recently had a divorce and he's just recovering from that.
Rilla: Uh-huh.
rilla: And his ex-girlfriend stops by all friendly like...just to tell him.
Rilla: Tell him? Tell him what?
rilla: That she's pregnant.
Rilla: Oh.
rilla: Yeah, and he's this really good-looking ultra jock ice-hockey champion type and he acts all like...
Rilla: Let me guess...a jock jerk.
rilla: Well, that's what you think at first.
Rilla: But he's not.
rilla: No. He takes you back in time to how he meets her and you start to realize...
Rilla: It's just an act?
rilla: No, it's not an act. What you get to see is Nick from the inside. Nick, reeling, Nick, dealing...Nick feeling all this pain and confusion and you go on this roller coaster ride, because you are no longer you, you are Nick and you are feeling and dealing and seeing through Nick's eyes. And you're sixteen and...
Rilla: And...?
rilla: And I can't breathe. Just go read the book for yourself...OK?


Don't just take my word for it, I Know It's Over received starred reviews in both Kirkus Reviews as well as Publisher's Weekly.
To read more reviews, click here.

To find I Know It's Over by C.K. Kelly Martin, Click Here.

Brand New Paperback Edition Cover coming soon to a store near you! There's a reason why there is a new cover to the book. What do you think? Which cover do you prefer? In your comment below, vote on this new one for the paperback coming out, or...



...this one from the original hardcover and include your reasons for your choice. Thanks! This should be interesting.



To read the author's blog, Click here.



Tuesday, January 20, 2009

38 -- Starving for Sydneyside Summer

NOTE: This blog is a continuing dialog between the two faces of rilla. The identity crisis is explained (if such a thing is possible) in the first edition. Click here to read: 1 -- Introduction

Rilla: Yes!
rilla: Sorry?
Rilla: I'm so glad you asked.
rilla: About what?
Rilla: If I had a fabulous time in Sydney. I did!
rilla: I didn't ask.
Rilla: Oh.
rilla: I didn't even know you'd been to Sydney.
Rilla: What?

rilla: When did you go to Sydney?
Rilla: In December! You don't remember? Nothing at all? How about the incredible food?




Rilla: Or, going on our favorite hike in the Blue Mountains...




Rilla:...down the Charles Darwin walk...



Rilla:...to Wentworth Falls?




Rilla: No? Then how about the incredible food?



Rilla: And the cold blustery day we revisited the Three Sisters...



Rilla: ...and Fitzroy Falls?



Rilla: Still drawing a blank? Then what about drinks with friends...



Rilla: ...the fabulous port?



Rilla: Seeing our old apartment in Pyrmont?



Rilla: Hmm...OK. Let's see. Huh! You really don't remember the incredible food?



Rilla: Or seeing the Opera House and wishing we had time to take a ride on the Manly ferry again?



Rilla: Visiting friends and their beautiful homes and gardens...



Rilla: ...and families?




Rilla: ...even when they fought over our shoes?




Rilla: ...not even the incredible home-made food?





Rilla: Nothing? You're hopeless.
rilla: That was a lot of food!
Rilla: Yeah! My diet went for a six.
rilla: You're on a diet?
Rilla: We were discussing Sydney.
rilla: And your diet.
Rilla: No. We were talking about food and friends...
rilla: YES! I do remember having dinner with someone special.
Rilla: So it's not alzheimer's yet...
rilla: It was great. We had dinner down by the toaster. She is the...the...hmm...the...
Rilla: It is alzheimers, after all.
rilla: I have it. She is the West Sydney Children's Officer.
Rilla: What were you doing having dinner with the police?
rilla: No, no, no. She is the Western Sydney Young People's Officer.
Rilla: Armed forces?
rilla: NO! Why can't I get this right? Judith, help me out here.



Rilla: Judith?
rilla: Yes, that's me with Judith and Harriet. We spent the whole evening discussing...that's it...Judith is the Western Sydney Young People's Literature Officer.

Rilla: Literature Officer? As in censorship...?
rilla: Good Grief, NO! She...she...what do you do, Judith? Hey! Maybe, Judith can tell us what she does if we interview her on this blog.
Rilla: Sounds like a plan to me. Nothing like keeping a blog and getting someone else do the wor-writing! Maybe we can have dinner with her too.
rilla: You still on that diet?
Rilla: What diet? Why would you insist...?
rilla: You seem to be inordinately stuck on the notion of food.
Rilla: I'm fine. I really am.

rilla: You sure you've had enough to eat?
Rilla: Of course, I have!
rilla: Yeah? Then why's this keyboard dripping wet?